dai muscoli legati per lo sforzo - перевод на Английский
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dai muscoli legati per lo sforzo - перевод на Английский

TAIWANESE SINGER
Lo Ta Yu; Lo Da yu; Lo Ta-Yu; Law Dai Yau; Luo Da You; Luo Dayou; Lo Tayu; Childhood (Lo Ta-yu song)

dai muscoli legati per lo sforzo      
musclebound
Hanoi Hilton         
  • The "Little Vegas" area built for American POWs in 1967, shown in a final inspection in 1973 shortly before the Americans' release
  • Hỏa Lò Prison Rules
  • [[John McCain]]'s [[flight suit]] and [[parachute]], on display in the museum part of the Hoa Lo site
  • Hỏa Lò Prison memorial
PRISON IN HANOI USED FOR POLITICAL PRISONERS IN COLONIAL TIMES AND FOR PRISONERS OF WAR DURING THE VIETNAM WAR.
Hoa Lo prison; Hoa Lo; Hỏa Lò; Hoa Loa Prison; Hoả Lò Prison; Tran Trong Duyet; Hanoi Hilton; Hoa Lo Prison; Hanoi Hilton (Hỏa Lò Prison); Hoa Lo Central Prison
Hanoi Hilton, campo di concentramento Hoa Lao nel Vietnam del Nord dove molti soldati americani furono tenuti prigionieri durante la guerra del Vietnam
per curiam opinion         
LEGAL RULING BY A COURT WHICH DOES NOT STATE WHICH JUDGE AUTHORED THE DECISION
Per Curiam; Per curiam; Per curium; Per Curium; Per curiam opinion; Per curiam decisions
opinione del tribunale (discrezione dei giudici)

Определение

ao dai
['a. ?d??]
¦ noun (plural ao dais) a Vietnamese woman's traditional long-sleeved tunic with ankle-length panels at front and back, worn over trousers.
Origin
1960s: Vietnamese.

Википедия

Lo Ta-yu

Lo Ta-yu (Chinese: 羅大佑; pinyin: Luó Dàyòu; born 20 July 1954), also known as Luo Dayou and Law Tai-yau, is a Taiwanese singer and songwriter. During the 1980s, Lo became one of the most influential Mandopop singer-songwriters with his melodic lyrics and love songs, and his witty social and political commentary that he infused in his more political songs, often to the point that some of his songs were suppressed in Taiwan and Mainland China during the 1980s. He is recognized as a cultural icon in Taiwan, Hong Kong, and Mainland China.

Stylistically, Lo defies classification, though his contribution to the Taiwan campus folk song genre was most significant. His early music in particular shows strong folk roots, and many of his songs tap into native Taiwanese cultural influences. Some songs are reminiscent of 1950s American diner and soda shop rock, and others exhibit a 1970s lounge lizard growl. What captured the hearts of a generation, however, were his lyrics, touching on issues of life, attitudes, social responsibility, and the political problems of both Chinese Mainland and Taiwan with an underhandedly critical strain of dark humor. The lyrical style is not particularly artsy or complex, but rather conversational; the cleverness comes in the meaning, not how the words are put together.